Wednesday, March 31, 2010

"You Smoke Crack....Don'tcha!!!"





Celebrity truly is a sad sad reality sometimes and what these young hollywood famewhores fail to realize is that its only a matter of time before the pimp comes to collect his due...whether it be substance abuse, deteriorating health, or a life that completely spirals out of control. In a way, I feel bad for Ms. Lohan because at one point she showed so much promise as an actress. This picture, is truly the saddest cry I have ever seen for some type of intervention. I guess she was exercising foresight in putting her coke in her shoes for a night out a the club, but the point couldn't be more apropos as the image suggest Ms. Lohan's life and career going up in a puff of smoke. If only she had Morgan Freeman to set her straight. "Lean on Me" to this day is STILL THE SHIT!!! - THEY DON'T MAKE MOVIES LIKE THAT ANYMORE.

10 Tax Tips for Last Minute Filers


If you haven’t filed your taxes yet, then you might want to get on the ball. We did a little research and found 10 Tax Tips for Last Minute Filers. In case you didn’t know, the 1st Time Home Buyers $8,000 Tax Credit was extended to April 30th.

Pop the Top for Details

1. E-File Your Return: Your tax return will get processed quickly if you use e-file. If there is an error on your return, it will typically be identified and can be corrected right away. Choose Direct Deposit to receive your refund quicker.

2. Review Tax ID numbers: Remember to carefully check all identification numbers on your return. Incorrect or illegible Social Security Numbers can delay or reduce a tax refund.

3. Double-Check Your Figures: Whether you are filing electronically or by paper, review all the amounts you transferred over from your Forms W-2 or 1099. Also, make sure you have all your W-2s and 1099s from the companies you worked for.

4. College Students Federal Tuition Deduction (amount is a total, not per student)
• $4,000 tuition/books deduction if income is $130k or less ($65k or less for single filers)
• $2,000 tuition/books deduction if income is $130,001-$160,000 ($65,001-80,000 for single)
• Available for all undergraduate and graduate levels; no limit on number of years claimed
• Cannot also claim an American Opportunities, Hope or Lifetime Learning Credit for the student

5. Earned Income Tax Credit (EIC/EITC): Federal income-tax credit for working families with low to moderate incomes (Single Income up to $35k/ Married Income Up to $45k). Married and single parents or caregivers can receive anywhere from $2,000 to $4,000.

6. Home Office Deductions: If you have a home business or work from home for your current employer, check to see what deductions are available.

7. File an Extension: Taxpayers who will not be able to file a return by the April 15th deadline should request the IRS Form 4868, which gives you an extension of time to file by October 15th, 2010. Remember, the extension of time to file is not an extension of time to pay.

8. Review Your Math: Taxpayers filing paper returns should also double-check that they have correctly figured the refund or balance due and have used the right figure from the tax table.

9. PLEASE MAKE SURE YOU SIGN AND DATE YOUR RETURN!!! ALSO When filing a joint return BOTH spouses must sign a joint return, even if only ONE had income. Anyone paid to prepare a return must also sign it.

10. 1st Time Home Buyer Tax Credit was EXTENDED to April 30th, 2010: If the buyer enters into a binding contract by April 30, they have until June 30, 2010 to settle on the purchase. No credit is available if the purchase price of the home exceeds $800,000. The maximum credit for first-time homeowners is $8,000 (up to $4,000 for married filing separately). If you are NOT a 1st time buyer but purchased a residence you can receive a credit of up to $6,500.

**Bonus** Check to See if You are Eligible to Received the The Making Work Pay Tax Credit, which normally gives a maximum of $400 for working individuals and $800 for working married couples

For any more question, concerns and forms, contact the IRS: 1-800-829-1040 or go to their website: www.irs.gov

The Label Loosens the "Tightrope" and finally Gives Ms Monáe a Release Date


Well it looks like Ms. Janelle Monáe may escape the Bad Boy curse (yes, she is still signed to the label but is perhaps the only artist who still is as Cassie, Diddy, and Day 26 have all moved to Atlantic) as she has been garnered with a release date for her upcoming May 18th release of her new CD The ArchAndroid. I can't begin to tell you how excited I am as acts like Ms Monae are exactly what the musical landscape is desperate for. Take a gander at her video for "Tightrope" and let life wash all over you.

Tuesday, March 30, 2010

SWV Stages a Comeback and Ponders - Where Did All the Real R&B Music Go



When you think of the 90’s music era you can’t help but to notice it gave birth to some of the hottest platinum artists in the game (SWV, Jade, Jodeci, Faith Evans, etc). Artists who are struggling to get the attention of the listening public now, were heavy spinners on radio, some selling 20,000 plus records a week in the stores. But what the hell happened? Where did that real R&B music go? In my opinion, and I’m sure millions will agree with me, is that the best thing that could have happened with music was the freedom to be able to pick and chose what genre of music you want to listen to. Radio now is fluttered with what I consider “Kindergarten snacks”, where the artist just gives you a lollipop and some bubble gum, but the real music fans are still left waiting for a real meal. Now don’t get me wrong, there are some new school artists that I can appreciate, but it’s for the moment, they are not artists that I would wanna hear years from now. Something is really wrong with that picture. I refuse to believe that real music is dead and there is no solid place for those “real” artists, songwriters and producers. We as the listening and buying public are responsible for what we want to hear, and the artists we want to see. It’s important that we keep the 90’s music alive and support our local underground artists who are getting lost in the shuffle. We are not going to the stores buying real music, but rather sit our asses in the hair salons and barber shops waiting for the bootleg copy. Come on guys lets request, “Weak”, “Forever my Lady” and all of those great 90’s songs that “YOU” made number one.

Love Always,
Lelee

'What's Not To Love' About Dwele


From Soulbounce.com

It's always refreshing to hear men sing lovingly about women. With so much negativity in the mainstream urban music marketplace and the world in general, it's a joy to listen to a track that praises the fairer sex in all our glory. Enter the latest from Dwele. In "What's Not To Love," he goes in about the young lady who has his undivided attention. He marvels that she's more than a pretty face and that she has substance for days--on top of wanting to put a ring on it. Dwele's signature smooth vocals are in place and the laid-back groove fits nicely into his discography, which will expand when he releases his next album, W.W.W. (W.ants W.orld W.omen), on June 29th. Black Music Month will clearly be ending on a high note.

Thursday, March 25, 2010

Lil Freak or Career Fail: The Demise of Usher



Its funny to me how when a performer is young he or she is always trying to prove their musical prowess by asserting a sense of maturity they are essentially too young to embody. But when they get older (over 30) the exact opposite plays out, which is they are trying to prove just how immature they and thus how viable they are to the overly courted teenage market. Usher is an artist who embodies this exact trend. From a young age, his music always seemed to project a maturity that exceeded his years. But as artist like Trey Songs, Chris Brown, Omarion, and Ne-Yo have popped up to take over the very lane Usher use to operate on cruise control....Usher seems like he is incapable of providing a bit of competition.

I have heard Raymond Vs. Raymond and although it is leaps and bounds better than "Here I Stand" it presents a fundamental problem with Usher which is that his brand is experiencing the inevitable "law of diminishing returns". Usher, as a brand, is completely fucked for not only has Trey Songs totally snatched Usher's Mojo, but the marriage and fatherdom have isolated Usher from his bread and butter, which was his huge female fan base. Also, with this album being leaked over a year ago, and subsequent versions of the album popping up from when it was called "Monster" all the way to the "Raymond Vs. Raymond" mess, Usher and his people couldn't even manage to leverage his personal life with his music. A gimmick that almost all people saw through instantly.

If you are not in the know, then "Confessions" (Usher's most successful disc) was about producer Jermaine Dupree's life and not Usher's at all. But the album benefited from the fall out with TLC's Chili and translated that into big album sales. "Raymond Vs. Raymond" tried to use the same formula, but fails on all levels...particularly in management. Usher has been experiencing a lot of turn around in his camp and that is more than likely responsible for how sloppy this project has come off in general.

But at the root of everything you have to blame the man, for Usher appears completely content with just playing Usher. The above video for "lil Freak" couldn't drive this point home more as Usher just kind of stands around (like a pole at a strip club)and looks more than content to be an object by which all the ladies are throwing their sexy at. I mean, c'mon when you have to have features sensation Niki Minaj (the correct spelling of her name is unimportant) come out and lesbo it up for 5 minute to garner any interest in your music then you know you have a problem.

The same hold true for the album where track after track after track has usher phoning it in on wax. He sounds bored with his own material, jaded by his own image, and at a loss to regain what made him a sex symbol in the first place. Lead single "Hey Daddy (Daddy's Home)" has to be the tackiest, most egregious piece of fame whoring as any song that instantly makes you think of Usher's two kids can't possibly foster a playboy image. I heard an interview with usher where he was explaining how on this album he needed to shed his "old man" image. I didn't know old and 30 were synonymous, but this can't possibly be the direction he had in mind as Usher looks and kinda acts like a sex obsessed juvenile who woke up and was inspired by his first wet dream.

I'm really rooting for Usher, but this project is as dead in the water as this first video. I mean, Usher is a great dancer and performer, but none of that is evident in the above video. He is also a great vocalist, but you would be hard pressed to find evidence of this on "Raymond Vs. Raymond" - a collection of generic R&B songs that Trey Songs, Chris Brown, and even Justin Bieber would probably pass on.

So its safe to say that Usher is living in his last days. For if he keeps this up, then all the fame and success he can expect to have will come from greatest hits collections and Christmas Albums. I mean, really....if you are gonna parlay your personal squabbles with your fame whoring ambitions, then at least release the damn album on the date your divorce is final and make sure that on that day you perform on Good Morning America or whatever wearing a button down, jacket, slacks and tie made completely out of your divorce papers with giant pens dancing in the background singing "Papers". If his management had been this clever, then maybe I could respect Usher a little more as an artist.

Blinded by The Blind Side: How Feel Good Gives Way to Perpetuation


I think I'm going to end up going way hard on "The Blindside" because although it is a well executed, finely acted, and emotionally rewarding film i feel that there is a sort of evil magic at play that totally bypassed the subconscious. Perpetuating a lot of things that the movie feels like it goes out of its way to sidestep.

What I instantly loved about "The Blind Side" was how it takes the time to not only create, but observe and allow to play out the small but meaningful moments that expose character. Inevitably, these small moments we observe with Michael sort of reaffirm a sense of structure and order that may have been missing from the Tuohy household before his arrival. And likewise, the small moments Bullock's character get to have inevitably make Michael a more fulfilled, less guarded human being. However, the major problem I have with "The Blind Side" is a fundamental one; if you are going to proudly proclaim "Based on the Extraordinary True Story" at the top of the key art, then shouldn't you make the movie about the person at the center of said story.

This would be Michael Oher, an All-American who later went on to be the offensive tackle for the Baltimore Ravens. The movie kicks starts at a point in Michael's life where he is coasting on the fumes of the goodwill of others as a stranger Michael is living with convinces a coach at the private shool at the center of "The Blind Side" that Michael's athleticism would be a great barter for admission. From this point on, Michael is treated less than a human being (by the conventions of the story) and more like a prop that gets pulled from one point in the story to another. We get flashed of his past, of the disparity this young man witness at a young age and the poverty he was born from, but never any kind of proper exposition or examination of how it has all affected Michael. Instead of this, we get some lip service in the beginning of the story about how he scored 98 percent on protective instincts or whatever that plays way too much into the rest of the story and lazily is used as a device to explain his general demeanor to the audience. Its basically a way for everyone to like Michael without him having to say very much.

And why doesn't he say much. Its important to note that Michael was born in 1986 so at the time the movie takes place, what we are watching is a snapshot of 2003, but if feels like the 50's. The Tuohy's are filthy rich people and there is never a moment the film doesn't remind you about all the Taco Bells they own (how is that for product placement). But on the flip side, the only people of color in the film reside in "the Ghetto" and they paint it as a place to exist in complete opposition to the grand sweeping halls, shiny cars, and expensive salads that signpost the extravagant lifestyle of the Tuohy's. The movie plays out this particular bit of racial politics as if the civil rights movement hasn't happened at all and that post modern apartheid instead is the model of modern living.

And maybe this is the other problem I had with "The Blind Side" is that it plays to be a bit of poverty porn. Many accused "Precious" of the same thing, but where that film differs is that it didn't use poverty as a device for sympathy. Yes, Precious was poor and abused, but she didn't let those things define her spirit and who she was as a person and instead used EDUCATION as a means of bettering herself and her situation. The conditions she had to endure explained the battles that she faced and overcome - not to be used as just a backdrop. In "The Blind Side" this is exactly the case, Michael's poverty is expressly used as a device to make Leigh Anne Tuohy more saintly and your heart goes, "look at this well meaning well off white lady helping out this poor black prop...i mean boy." But a prop he is as Michael's size leads him to a natural affinity for football and a desire for education or just enough education to get him to the big leagues. If you think about that too hard....its insulting on its own terms.

Again, there is a great deal of attention payed to how everyone else deals with Michael, but no real understanding of how he must be interpreting the whole thing. SJ, the youngest of the Tuohy clan, takes to Michael instantly and they have a very natural, very fitting relationship in the film. However, even Bullocks character initially is uneasy just over not knowing him and having him spend the night for the first time (something she comes to grips with) as does the patriarch (an understated Tim McGraw). There is a great deal of time played to how Michael's teachers learn to help him, how the coach must learn to communicate with him, and how Collins (the daughter) learns to live with him. The whole Collins thing was very awkward in the story because it subversively paints an incorrect picture of Michael's intentions, then doesn't even bother to allow him to voice any difference. To cut to the chase, its not just that Michael doesn't have a voice in the story, its that the story vehemently refuses to even give him the time and consideration to have one. As if its trying to make a life story from someone life they don't have the rights to...so they tell it from everyone Else's perspective. With Michael just looking happy to be there most of the time.

Its funny to me that Michael really doesn't get a voice until the whole bit with the NCAA happens and then the questioning is oddly done by the only other African American you see in the story that doesn't stay in the projects. Which leads to yet another racial snafu - now you are essentially turning your movie on its ear asking if these good meaning white folks were taking advantage of a situation for personal and/or financial gain. Something that I didn't really think about until then. But then again, This is the point in the movie that the catharsis takes place and the movie itself admits to making Michael just a prop. Michael isn't asked for his input or opinion on anything involving him in the story. The decision to adopt Michael seems to be something that happened independent of his knowledge, its not clear (by the story) if Michael had any real interest in football (at the beginning of the film, his passion seems more basketball than anything) the decision to have a car felt like it wasn't his at all (I mean he mentions wanting a drivers license because from what i understand, any kid that didn't grow up having a bed would just love to have something to identify their place in society). But it seems like the car thing came into play to perfectly set up the scenario in which Michael proves his loyalty to SJ and the Tuohy family.

So when Michael is shown a mirror essentially by the NCAA big wig and actually questions Leigh Anne's intentions (of which we know are good) then it feels a little late in the game. Its as if the prop suddenly woke up, looked around, acknowledge that it was a prop and then went "Okay, I have something to say now". This is the first time that we hear Leigh Anne ask Michael if he even wanted to play football. Glad we got the basics out in the third act.

Like I said, this story is a great great testament to the power and meaning of family. I really really wish it didn't play the racial politics as two extremes on a page....especially since what we are looking at is 2003!! But hey, this wouldn't be the first or last film that had negative things to say about a particular group of people. If you grew up in the 80's and 90's then you know good and the hell well that movies like "Colors," "South Central," "Dangerous Minds," "Boyz N the Hood,"Higher Learning" and a slew of others committed way worse or way less offenses (really depends on how you look at it). I guess with this case, I didn't expect to get so Blind Sided by something so heart warming.

PS. Bullock gives a very good performance, but I kept scratching my head as to how this translated into a Best Actress Nod at the academy awards. Its her best acting to date, but its standard Bullock all the way.

Red Ribbon Backlash: Where's The $354 Million In U.S. Red Cross Donations for Haiti????


“We want our money! We want our shelter!”, “Who's the real criminals?

Red Cross, double cross!” & “Red Cross where's the money? That's our blood down in Haiti!”

These repeated chants were shouted by upset demonstrators who withstood the drizzling rain this past Monday evening while gathering in front of the Headquarters of the American Red Cross at 429 W49th St. in mid-town Manhattan.

They were publicly protesting the whereabouts of hundreds of millions of dollars in public donations that was supposed to go towards relief efforts in Haiti.

“Everybody who went into their pockets and pulled out $5, $10, some pulled out thousands of dollars - because they saw the suffering in Haiti. People donated money to the Red Cross thinking that it was going to Haiti - we call that a double cross!” - shouted Omawale Clay of the December 12th Movement

Omawale Clay

He added,

“Suffering took place because the U.S. & France are the biggest criminal enterprises in the world! Haiti's underdevelopment is directly because of the U.S. & France! The people saw the misery and heartbreak and gave their money to this criminal enterprise!”

The financial contributions from across the U.S. were supposed to be utilized for clean clothes, food and water and also to set up new shelters for many of the residents who were devastated and displaced by the 7.0 magnitude killer quake which struck the peninsula-country's capita of Port-Au-Prince this past January 12th.

Yet, many individuals working with the relief efforts are saying that the executives at the Red Cross are using the funds for their own personal gains and also that the U.S. is using the disaster as an excuse to deploy over 100,000 military personnel there as they plan to re-colonize the nation.

They sent Clinton and Bush down there to continue the robbery of Haiti!” -Clay suggested.

“There's no difference between the Red Cross and Wall street. They're not in the business of crisis - they're in the business of making a profit. They make a profit off the crisis, heartache and humanitarian needs of the people.

“The people gave money because they want to help… out of the love for their people - but this Red Cross is nothing but American double cross. They make a profit off of people's misery… don't be fooled by them!”

According to certain reports the American Red Cross has collected over $354 million for relief aid in Haiti, yet only approximately 1/3rd of that has been accounted for.

“People all over the U.S.; your friends, relatives, everybody in solidarity with Haiti; gave money to the Red Cross, thinking that they weren't the good old American gangster entrepreneurial, seditious double crossers. Red Cross has only allocated $106 million out of $354 million,” claimed Clay.

Omawale Clay & Supporter

He went on to warn:

“You know how they do, once they collect the money, they take Haiti off the television - they did it with Katrina. They think that we're going to forget... but we're not going to forget Haiti because that's our blood down there!”

Also of significance is the upcoming rain season in that region of the Caribbean, which is expected to strike Haiti with torrential floods and mud slides within a month. Without proper shelter and necessary supplies for survival, the small nation is sure to suffer more casualties and is still in dire need of more financial and moral support, rather than more armed soldiers.

“It is very unfortunate for the suffering people in Haiti to be deprived of the resources that good people intended for them because the Red Cross has not allowed the free flow of those resources. Evil takes no holidays!” -assessed Brother Tarik.

Clay concluded:

“The Red Cross is a criminal enterprise and they are carrying out crimes all around the world! Haiti stood up for us and we're going to stand up for Haiti. Haiti stood up for Africa and Africa is going to stand up for Haiti. Haiti stood up for all freedom loving people. Haiti is going to rise again. All we have to do is get these imperialist off your back. Rise up Haiti. In the name of the spirits of Toussaint, Dessalines and Christophe - Haiti rise!”

To make donations towards relief aid for Haiti you can contact Friday Haitian Relief Coalition: 718-398-1766.

Thursday, March 18, 2010

10 Ways to Avoid a Lover's Spat


How many times have we started a conversation off with a “I don’t want to argue with you,” and then it turns into a knock down drag out? While fighting with your significant other is a given it’s also necessary for a relationship to grow – or par for the course, right? But some, if not most, arguments are useless and can be avoided. Going to bed angry with your spouse or loved one is the worst and further propels the anger when you wake up the next morning not having resolved the issue. Why go to work piping hot and one irked nerve away from boiling over when you can talk it out? How long do the silent treatments have to last? Surely, this is no way to get your point across so why not stop adding fuel, and fight fire with water? That’s the beauty of communication. What’s even more beautiful is knowing how to stop a tiff before it starts, regardless of the severity of the issue. At the end of the day, beefin’ with your boo is trivial since tomorrow is promised to no one and that’s why it’s so important to part ways for the day in peace. Take a look at these tips to avoid the loathsome lover’s spat!

1.) Soften Your Approach - who hates that already aggressive toned “we need to talk.” Ugh. The other person is already gearing up for battle … not a good starting point. Pose a question, “hey babe, can we talk?” Or, “I’ve got a few things I’ve been wanting to talk to you about, you got a minute?” This is setting the stage for equal engagement and the likelihood of getting a productive response is greater.

2.) Don’t Devalue - patience is key! When you’re pouring your heart out, expressing your feelings or stating your position, the last thing you want to hear is, “that is SO stupid,” or “what you’re saying makes NO sense,” or “what are you talking about?” Phrases like these make for an immediate shut down. Never make your loved one feel as though their thoughts and feelings are trivial and invalid. Try this instead, “help me understand where you’re coming from,” or “please explain further.” Yea, it’s like pulling teeth, but you want your loved one to feel comfortable expressing themselves to you. Again, patience.

3.) Take a Breather - in the heat of the moment it is so easy to be combative, fly off at the mouth and say mean-spirited things you don’t mean. It’s okay to have a problem and it’s okay to let it be known, but hollering with your arms folded, eye-rolling and not letting your partner get a word in edgewise is not communicating! It’s a turn off … a COMPLETE turn off. Back off and breathe for a few, let your loved one know, “I’m hot right now. Give me moment to collect my thoughts.” What you’re displaying without saying it is, “I don’t want to fight.”

4.) Listen – when your partner says, “can I finish? Will you let me finish please?” This is no bueno. Let your lady/man speak his/her mind. Who cares how long it takes! Allow the venting process to take place and perhaps when he/she is finished you won’t have to say much at all. Listening to your partner is just as much a part of the communication process as speaking. Sometimes just hearing him/her out is all it takes to quell a dispute.

5.) Drop the Defense -Team Us is ideal but when there’s a dispute, there are two teams: Team Me and Team You. The both of you cannot be in defense mode if you want resolution. Somebody has to play offense. Somebody has to be “the bigger person.” It’s easy to react and take part in the emotional whirlwind that suddenly came sweeping through the room, what sense does it make to go a-whirling with it? Try for this in a soothing tone “hey, whoa! Baby, calm down. Relax, have a seat. Let’s talk about this.”

6.) Find the Root of the Problem - the fact that you left your socks in the middle of the floor or forgot to flush the toilet is not the real reason that you’re in the throws of a battle. Get to the root of the issue by refusing to participate in the trivial bickering. It’s not the socks or the gift in the toilet that’s got him/her on tilt! Ask your partner or yourself, “what’s the real problem?” “Is there a deeper issue that needs to be confronted?” Once you figure it out, apply the measures listed above.

7.) Agree to Disagree Respectfully - in a perfect world we would see eye to eye all the time, but we all know that’s not the case. Instead of approaching the situation expecting compliance, just shoot for understanding. You simply cannot convince someone to see it your way. It’s okay to disagree, explain why you do and find a happy medium. You can save yourself the exhaustion by looking for ways to work together to reach a hub of solid communication. After a while it becomes effortless.

8.) Take Ownership - if you’re wrong, admit it. Don’t blame your partner or his or her actions for your behaving like a child or being irrational and immature. “I did that because you do xyz.” Why do we have to duck and dodge the b.s. BEFORE addressing the real issue? Be responsible and say, ” hey, you know what? I was wrong for that. This is why I did it. I understand why you’re mad right now. I’m listening.” If it’s warranted, take that verbal lashing! If you effed up, you effed up! And now, by default, you have to listen to your lady/man fuss about it. It happens to the best of us, we all have to sit in the hot seat from time to time. It’s okay.

9.) Ask Questions - a good Q & A can be really helpful and eye-opening. Ask simple and candid questions. As corny as it sounds ask your partner, “how did that make you feel?” “Why are you crying?” “What can I do to help us move past this?” This will give him/her a chance to verbalize specific needs and wants and it gives you a chance to make it clear how you plan to deliver.

10.) Sex - self explanatory. Nothing like some good lovin’ to quiet a storm in the making. But here’s the deal, just because you had a good session doesn’t mean the problem is fixed! Sex is just a leeway to better communication! Sex is a stress reliever and once you’ve relieved some tension, talking things out is all but effortless!

Friday, March 12, 2010

Things to Do and People To See Part 2: Jazz at LACMA


Beginning April 16 and continuing to November - LACMA will present "Jazz at LACMA" every friday from 6-9pm. Jazz at LACMA is made possible by the Johnny Mercer Foundation and is bound to be a real treat for all live music lovers. Admission is free so plan to get there early. I believe the Getty Center also does a similar Jazz on Fridays set up in the summer. I have had the pleasure of attending one of these events and if you work on the westside. It is the perfect complement to a long week.

Cheers folks!!!

Things to Do and People To See: LA Art Walk


On any given day, my cultural enrichment is pretty much reduced to noticing how much the demographics change from one end of Pico to the other, but every once in a while I'll be heading home from my usual route on Pico or Olympic going east and end up in Downtown LA to witness a flurry of sound and excitement. This is the LA Art Walk and sadly, I have only been able to witness as a spectator on my journey south to more familiar parishes. But what an excitement it is as hordes of people cram into small galleries and journey on foot (gasp!!) to check out all that the LA Art Walk has to offer.

The Downtown Art Walk began in September 2004 and has grown enormously since, with many thousands of people attending every month. Participants in the Downtown Art Walk are the more than 40 galleries and museums located throughout the central downtown area, within the walkable districts between the Grand Avenue / Disney Hall / MOCA, Little Tokyo, the Financial District, and centered around Gallery Row on Main and Spring Streets in the Historic Core. Most venues are open at least 12-9PM, but some may open later than 12PM or close earlier than 9PM; specific exceptions are listed next to each venue on the map (I stole this from their website).

The Art Walk takes place every 2nd Thursday of the Month and I'm mad I didn't create this post yesterday, because then I would have made a point of going. As a creative individual, I am a big lover of art or really just being able to appreciate how other people express themselves artistically. Visiting places as such use to be a staple in my life. Somehow, I believe this is an area I need to revisit. But for the time being, put it on the calendar as a LA To do. More post like this to come!!!!

for more information on the LA Art Walk please visit www.downtownartwalk.org

Thursday, March 11, 2010

"Just Wright" Looks Like a True Return to Form




Ahh...remember movies like "Love Jones" or "Brown Sugar" (whose director, Rick Famuyiwa, is serving up some real bullshit with this weeks "Our Family Wedding") and Eddie Murphy classics such as "Boomerang," "Coming to America," and "The Distinguished Gentleman." Yeah, seems like forever ago, especially in light of Tyler Perry monopolizing the urban cinema market. However, what these films all have in common is that they all exhibit some level of class and intelligence in a vehicle targeted directly to the African American market. Sadly, this doesn't exist anymore as Tyler Perry, whose only film that displays such qualities is "Why Did I Get Married", goes about the route of buffoonery for profit as each offering seems to creep closer and closer to the very stereotypes he is so desperately trying to avoid.

The urban romantic comedy format appeared to be a fossil until I caught wind of "Just Wright" a film directed by "Something New" scribe Sanaa Hamri (I'm just glad Perry's name doesn't appear anywhere)and my faith was restored in telling tales of African Americans that didn't extend wildly from a Perry offering to something like Lee Daniel's "Precious". In layman's terms, its just nice to see a movie that happens to star two attractive African American leads who do not live in the projects, ghetto, have careers and jobs, and whose overall cinematic goal is not to sermonize but entertain.

Aside from looking like another winner from Hamri (whose "New" i immensely enjoyed)this would be the first time that Queen Latifah doesn't looked awkwardly shoehorned with a male costar in a romantic lead (the only other time Latifah has looked at ease was in "Bringing Down the House" where she was paired with Steve Martin and obnoxiously, the movie never explored the romantic part between those too for the sake of the audience I would imagine). Common doesn't really register on my radar for acting, but its good to see that he gets to exercise his chops with a much meatier role in "Wright". The fact that they casted him in the lead instead of an actual NBA star or any other "actor" is a bit of genius casting in my opinion. And who would have known that him and Queen Latifah would have such natural chemistry together. I certainly would have not thought to make them the leads in a vehicle such as this.

Which brings up that other offering this week "Our Family Wedding" which is Fox's latest exercise in stunt marketing (and way late at that I might add as a cross cultural movie involving African Americans and Hispanics would seem like something thought of eons ago). But then again, maybe "Precious" making a million dollars in 11 theaters opened up the studio systems eyes to how profitable this market could be and how gravely overlooked it is. Where "Wedding" falters is that its leads look like they have zero chemistry, are primarily TV actors, and whose union looks like an egregious attempt at cashing in on the liquidity of this overlooked market. Instead of finally being a much needed bridge between the audiences, "Wedding" just seems like a fiscally logical excuse to get a lot of black folks and Hispanics in the same theater - thus increasing receipts. The names boasted on the Marquee pretty much ensure this (namely Forest Whitaker and Carlos Mencia)

Sadly, its been 13 years since "love Jones" was released and i pinpoint that movie because it is perhaps the only film that i can remember that had a great respect for its subject matter, its actors, and its audience and their intelligence. Not saying that "Just Wright" is a reprise of this kind of cinematic thought, but maybe, just maybe the new black cinema (as I am dubbing it since we get two non Tyler Perry movies this year - woot woot)can lead us away from caricature to just plain and simple storytelling about people living their lives. Because at the end of the day, we are all no different. Movies like "Precious" and "The Blindside" are variations on the black experience, but they don't define it. Maybe one day, just maybe, Hollywood will understand that and get it...just right.

Congratulations To Englewood Urban Prep’s Class Of 2010!!! Chicago Boys Break Stereotypes By Being Model Students



Four years ago, Bryant Alexander watched his mother weep.

She stared down at a muddle of D’s and F’s on his eighth-grade report card and threatened to kick him out. He had barely passed elementary school, and high school wasn’t even on his radar.

“Something just clicked,” Alexander, now 18, said. “I knew I had to do something.”

On Friday, Alexander proudly swapped his high school’s red uniform tie for a striped red and gold one — the ritual at Englewood’s Urban Prep Academy for Young Men that signifies a student has been accepted into college.

As the Roseland resident and 12 others tied their knots, Chicago’s only public all-male, all-African-American high school fulfilled its mission: 100 percent of its first senior class had been accepted to four-year colleges.

Mayor Richard Daley and city schools chief Ron Huberman surprised students at the all-school assembly Friday morning with congratulations, and school leaders announced that as a reward, prom would be free.

The achievement might not merit a visit from top brass if it happened at one of the city’s elite, selective enrollment high schools. But Urban Prep, a charter school that enrolls all comers in one of Chicago’s most beleaguered neighborhoods, faced much more difficult odds.

Only 4 percent of this year’s senior class read at grade level as freshmen, said Tim King, the school’s founder and CEO.

“There were those who told me that you can’t defy the data,” King said. “Black boys are killed. Black boys drop out of high school. Black boys go to jail. Black boys don’t go to college. Black boys don’t graduate from college.

“They were wrong,” he said.

Every day, before attending advanced placement biology classes and lectures on changing the world, students must first pass through the neighborhood, then metal detectors.

“Poverty, gangs, drugs, crime, low graduation rates, teen pregnancy — you name it, Englewood has it,” said Kenneth Hutchinson, the school’s director of college counseling, who was born and raised in Englewood.

He met the students the summer before they began their freshman year during a field trip to Northwestern University, the first time many of them had ever stepped foot on a college campus. At the time, Hutchinson was Northwestern’s assistant director of undergraduate admissions. Inspired by what he’d seen, he started working for Urban Prep two months later.

“I’m them,” he said Friday as he fought back tears. “Being accepted to college is the first step to changing their lives and their communities.”

Hutchinson plays a major role in the school, where college is omnipresent. Students are assigned college counselors from day one. To prepare students for the next level, the school offers a longer than typical day — about 170,000 minutes longer, over four years, than other city schools — and more than double the usual number of English credits, King said

Even the school’s voice-mail system has a student declaring “I am college-bound” before asking callers to dial an extension.

The rigorous academic environment and strict uniform policy of black blazers, red ties and khakis isn’t for everyone. The first senior class began with 150 students. Of those who left, many moved out of the area and some moved into neighborhoods that were too dangerous to cross to get to the school, King said. Fewer than 10 were expelled or dropped out, he said.

At last count, the 107 seniors gained acceptance to a total of 72 different colleges, including Northwestern University, Morehouse College, Howard University, Rutgers University and University of Illinois at Champaign-Urbana. Alexander was accepted to DePaul University.

While college acceptance is an enormous hurdle to jump, school leaders said they know their job isn’t done; they want to make sure the students actually attend.

To that aim, King said, staff made sure that every student has completed the dreaded Free Application for Federal Student Aid, lest the red tape deter them.

Later in the year, the school plans to hold a college signing day where every student is to sign a promise to go to college, he said. Staff will stay in touch through the summer and hopefully in the first years of school.

“We don’t want to send them off and say, ‘Call us when you’re ready to make a donation to your alma mater,’ ” King said. “If we fulfill our mission, that means they not only are accepted to college, but graduate from it.”

For now, students are enjoying the glow of reaching their immediate goal.

Normally, it takes 18-year-old Jerry Hinds two buses and 45 minutes to get home from school. On the day the University of Illinois at Champaign-Urbana was to post his admission decision online at 5 p.m., he asked a friend to drive him to his home in the Auburn Gresham neighborhood.

He went into his bedroom, told his well-wishing mother this was something he had to do alone, closed the door and logged in.

“Yes! Yes! Yes!” he remembers screaming. His mother burst in and began crying.
That night he made more than 30 phone calls, at times shouting “I got in” on his cell phone and home phone at the same time.

“We’re breaking barriers,” he said. “And that feels great.”

7 Reasons Why Sex Is Good For Your Health


Did you know that 400 million people around the world will end up having sex today? Did you know that roughly 4,000 people are doing right now? Did you know that 30 percent of women over the age of 80 still engage in sexual activities? Why? Because it’s beneficial to your health! If having and enjoying sex regularly can almost double human life expectancy, then we should all make it practice, right? Having regular orgasms has been scientifically proven to improve one’s overall mental and physical well being. But some of the scientific research that has been conducted and reviewed is phenomenal! Who knew sex fights some cancers or that semen prevents tooth decay? Here’s to changing our perspective on why we really have sex! Take a look at why sex is good for your health!

Strengthens Immunity - regular sexual activity has been scientifically proven to boost your immune system. Researchers at Wilkes University have concluded that having sex just twice a week increases your antibody levels, which helps fight the common cold and infections.

Healthy Sex Life = Healthy Heart - no doubt sex is a stress reliever, but true story: men and women who engage in sexual activity on a consistent basis, as opposed to those who abstain, have healthier stress levels and lower blood pressure. Regular sex has been proven to improve circulation, combat heart disease and improve cholesterol levels.

Natural Analgesic - sex is a pain reliever? Yes, it is! Did you know that just before an orgasm the human body releases up to six times its normal amount of a hormone called oxytocin? As a result of the hormonal rush, the body releases endorphins that soothe headaches, muscle aches and everyday aches and pains.

Fights Prostate Cancer - in order to climax, a man’s prostate is responsible for producing the ejaculatory fluids. Some urologists argue the notion that men who don’t ejaculate often are more likely to develop cancer of the prostate. A study conducted by the British Journal of Urology International believes that men in their 20’s can potentially lessen their chances of developing cancer by a third, provided they ejaculate at least five times a week.

Fun Fitness - you can burn up to 200 calories having sex for 30 minutes. So let’s do some quick math: 30 minutes of sex, 5 times a week, 200 calories. That’s 1000 calories burned in two and a half hours. But if you’re the type to go a little longer … okay let’s do some more math: 45 minutes, 6 times a week, 300 calories. That’s a total of 1,800 calories in four and a half hours. Not bad, right? But let’s not forget the muscle toning that comes along with those positions that keep you working.

Improves Pelvic Floor Muscles - women have long heard of Kegel exercises but lots are skeptic. The theory is by trying to stop the flow urine for three seconds it keeps vaginal and pelvic muscles tight and toned. Here’s the deal, if women did a few Kegel squeezes during sex and randomly through the day, not only will the pelvic floor become stronger, sex will be more pleasurable for her and him!

Organic Sleep Agent - okay, so men should not be the only ones falling asleep after a good seductive session, women should too! According to many sexual research studies, the oxytocin the body releases during the climax is known to induce deep sleep! Good sleep and body rest is absolutely vital for good health! Orgasms promote complete relaxation! So fellas, if your lady is wide awake while you’re snoozing, she might have faked it!

And there it is! Moral of the story: Sex does a body good so have more of it!

Monday, March 8, 2010

There Isn't Much "Muchness" to Burton's Wonderland


You know when two totally different auteurs our entities are forced to collaborate on a project and since they can't come to a compromise of ideas, the final product looks like a mishmash of thought and action. Well, that is what Alice In Wonderland is....a completely indifferent affair that plays out like a war between Tim Burton's mind and Disney Executive expectation. I had planed to review this mess, but there is no reason to since I found a review that sums up perfectly my thoughts on the film. Love Tim Burton, but this alice feels wholly uninspired.

from Flickfilosopher

We should thank Tim Burton for his Alice in Wonderland, for it does one thing extraordinarily well: It reminds us that James Cameron really did achieve something new and astonishing with Avatar. Experiencing the 3D of Pandora is like walking through a real place, a technical feat that Cameron pulled off so beautifully and so subtly -- its immersiveness, that is; not, obviously, the blacklight neon-ness of it -- that it almost defeats itself. Avatar does what it does so cunningly that you don’t realize it till you look at a film like Burton’s Alice. Though both films were produced at the same time and from the starting point of the same available technology and by directors who are hugely inventive, Alice can’t manage 3D any more involving than throwing random objects out at the viewer because, you know, it can and because, perhaps, it doesn’t realize what else 3D can do. There’s no reason for Alice to be in 3D, unless Burton was deliberately reaching for cheese. We don’t walk through Wonderland like we walked across Pandora.

I’m struggling to find a reason for Burton’s Alice to exist at all, actually. I wasn’t crazy about Syfy’s surface-similar Wonderland reimagining this past autumn -- which also posited a young-adult Alice returning to a realm she’d journeyed to years before as a small child -- but at least it extrapolated from Lewis Carroll’s books [Amazon U.S.] [Amazon Canada] [Amazon U.K.] a fantastical underworld that had moved on from Alice’s first visit to devolve into a sort of urban punk hellhole. Burton’s Wonderland is almost exactly as Carroll invented it, and almost exactly as it was when this Alice (Mia Wasikowska: Amelia, Defiance), now 19 and with no memory of her earlier trip, first arrived. And because she remembers nothing, she reruns through everything she’s done before, to the annoyance of even the Wonderland denizens she encounters: “You’d think she’d remember this from the last time,” one of them complains while she’s juggling the magic Eat Me cake and Drink Me potion. Indeed.

Perhaps Burton really wanted to just adapt Carroll straight up, but realized the difficulties that would be involved with working with a six-year-old actor. I’m not sure that’s a good enough reason to age Alice up, however. Even the hints that this teen Alice is extra spunky and spirited for a late-19th-century lass -- she falls down that rabbit hole while escaping from an unwanted marriage proposal -- are all but forgotten once she arrives in Wonderland, where she is buffeted around by forces entirely outside her control and barely asserts herself at all. The very ending of the film sends Alice off on a new, true adventure that Lewis Carroll would never have dreamed of, and that was the first moment when I finally perked up and said to myself, “That’s the Alice adventure I’d like to see!”

Before that moment, which alas came just before the end credits, the only experience that felt unique was how bored I was by the whole endeavor. I can’t remember ever being bored by a Tim Burton movie -- not even Charlie and the Chocolate Factory, which enraged and disgusted me, was this flat and uninvolving. This isn’t so much a movie but the coffeetable book about the movie’s production design: an exercise in design could be the excuse for the film’s existence. But even on that level, there’s not a lot going on here that we haven’t seen before. From Burton-esque curlicues to Johnny Depp’s (Public Enemies, The Imaginarium of Doctor Parnassus) Mad Hatter -- clothes, and nothing else, maketh this man -- to the hugely benoggined Red Queen (Helena Bonham Carter [Harry Potter and the Half-Blood Prince, Terminator Salvation] plus CGI), everything here is intended to be oo’ed and ah’ed over but not touched with anything approaching story. And yet even much of what we see feels tediously familiar, borrowed from elsewhere: The White Queen’s (Anne Hathaway: Valentine’s Day, Bride Wars) realm is Rivendell; Alice riding the Bandersnatch is The Golden Compass’s Lyra riding the warrior polar bear Iorek Byrnison; even the Mad Hatter’s tea party is taking place in the shadow of the gearpunk windmill from Burton’s own Sleepy Hollow.

Just about the only thing Alice in Wonderland made me feel was nostalgia for that 1980s Tom Petty music video. You know the one: the one that captured the trippy Alice-ness of Lewis Carroll in precisely the way that this one does not.

The PS22 Kids Have Made My Monday


The PS22 Chorus is really an amazing group of kids who are extremely talented. They have been making youtube vidoes since forever and they never dissapoint. Their take on "Lisztomania" is both haunting and beautiful. Aside from creating beautiful music, the PS22 Chorus really is the ideal argument for why we need music programs in school. Here to trailblazing their legacy.

Friday, March 5, 2010

IOUSA Should be Required Viewing for All


Lately it would seem that I have been experiencing a new phenomenon that I have dubbed "Late Night Cinema". I hardly seem to ever have the time or energy to actually watch a movie during the evening and when I do, its like taking a no doz....so I was quite surprised that my 2am viwing of "IOUSA" not only held my interest, but was able to change my perspective on my own financial situation as well as the one the world faces today. Documentary as a genre are gaining momentum in my heart as one of my favorites. I love art or the expression of art and/or reality that either reveals to you something about yourself or the world we live in and documentaries usually achieve this through their clever storytelling.

IOUSA is particularly timely because it dares to explain our countries fiscal irresponsibility in terms we can understand. Mainly, it is a call to arms for the people to educate and arm ourselves for the impeding backlash the irresponsibility of our predecessors have thrusted upon us. What is also to note, is that often times in our personal fiscal pratfalls are but mere echoes of how the larger system works and plays out.

Its no secret that most of us live paycheck to paycheck and that hardly anyone in this day and age is conditioned to cut their spending and save money. But imaging this to be the mentality of our government, who recklessly spends taxpayer money while lowering taxes and give the Federal reserve the task of being the central bank in charge of balancing economic growth with regulating inflation (two notions that often contradict each other). Its like, how can the wealthiest nation be in a position where foreign interest and entities control most of our debt. And since we are a nation built on consumerism, we forgot that industry is what made this country so prosperous. An industry we now outsource to other nations.

I was surprised to realize (I kinda knew but didn't have the full history) that Clinton's presidency is pretty much the only time or one of the few times in our countries history where we had a balanced budget and were both parties came together to complete a common goal. Which means that our 14 trillion dollar debt or whatever it is....in theory is something that (given responsible leadership) can be combated over time. However, we live in popular thought time and celebrity has ultimately clouded our moral compass of what is and what is not responsible. For the truth is that the baby boomers (which means essentially or parents) have enjoyed a lifestyle that we will have a much harder time trying to obtain.

Its so staggering to me that my generation is probably the first sans college degree who have to explore the option of moving back home....because our debt prevents us from moving forward. And the very public, very unified protest yesterday of UC tuition hikes only proves how daunting the future will be. For higher education can no longer deliver on its fundamental promise of success through education. This is impossible when your degree is deemed more expensive than its worth and you are so in debt that it would take half a lifetime just to break even. No wonder folks now have such a disillusioned desire for fame and celebrity. To the masses, these things now provide what a college degree is no guarantee to; financial freedom, wealth, power, prestige....the list goes on.

According to the documentary, the three biggest expenses the US faces are Healthcare, Medicaid, and Social Security. In fact, it is projected that these expenses will balloon so far out of control that they will push funding for everything else out the window. So it sorta makes sense why healthcare is being talked about soo much. It really is THE biggest expense we face. I do feel that their should be basic provisions for all Americans to enjoy a quality of life that is accessible to all. But as things are going now, we are just beginning to acknowledge that the middle class has been desperately gouged to the point of bankruptcy. It really is disheartening to know that I have worked everyday since I was 16 years old and can't afford a home, but there are plenty of section 8 recipients who enjoy just that (and have had to do far less to obtain their dream). Life is inevitably not fair, and everything is not meant to be. Not when 5% of the population (or whatever it is) hold all the wealth.

Its funny cause I was not at all intending to write such a synopsis. What I really had in mind was to write a quick review of the movie and provide a synopsis. But as you can see, the best of anything inspires continued thought and action. And that is probably why I am beginning to love documentaries so much. You can either agree or disagree with them, but the point to their existence is to invoke conversation and an exchange of ideas that things like Twitter can't even compete with. Our narcissism leads us to excess and indulgence, but our sense of common sense tells us that maybe we should save for a raining day. But many folks don't know what that looks like and have never seen one. Same with documentaries. But with both, once you do you are educated and more apt to know that our realities are often times very fickle.....changing every so slightly by the power of the mighty dollar.

IOUSA Synopsis:
Wake up, America! We're on the brink of a financial meltdown. I.O.U.S.A. boldly examines the rapidly growing national debt and its consequences for the United States and its citizens. As the Baby Boomer generation prepares to retire, will there even be any Social Security benefits left to collect? Burdened with an ever-expanding government and military, increased international competition, overextended entitlement programs, and debts to foreign countries that are becoming impossible to honor, America must mend its spendthrift ways or face an economic disaster of epic proportions. Throughout history, the American government has found it nearly impossible to spend only what has been raised through taxes. Wielding candid interviews with both average American taxpayers and government officials, Sundance veteran Patrick Creadon (Wordplay) helps demystify the nation's financial practices and policies. The film follows U.S. Comptroller General David Walker as he crisscrosses the country explaining America's unsustainable fiscal policies to its citizens. With surgical precision, Creadon interweaves archival footage and economic data to paint a vivid and alarming profile of America's current economic situation. The ultimate power of I.O.U.S.A. is that the film moves beyond doomsday rhetoric to proffer potential financial scenarios and propose solutions about how we can recreate a fiscally sound nation for future generations. Pointedly topical and consummately nonpartisan, I.O.U.S.A. drives home the message that the only time for America's financial future is now. --© Sundance Film Festival

Thursday, March 4, 2010

Dogs Get Freaked out by "Law and Order" Theme Song




Apparently, the Law and Order theme song pisses off a lot of dogs. A quick YouTube search reveals dozens of videos recorded by dog owners who observe their pets flipping out when the TV show theme music begins. Does the tune contain a hidden frequency that only canines can hear?
A special nod to nastynets contributor Joel Holmberg who started it all by making this grid of 35 youtube videos of dogs reacting to the song. Joel tells Boing Boing "[I created it] when I was home visiting my family over christmas and noticed my family dog, Velvet, freaking out to theme song."

Is the Use of Social Networking Key to an Artist Success in the Music Industries New Business Model


The music industry has been gaining ground in their attempts of making up for the loss of interest in full albums and physical CDs from music fans by embracing the digital world. However, they're a long way from making the profits they once did in the industry's heyday.

As more and more music fans transition over to buying from digital retailers such as iTunes, labels are stressing, to their artists, the need to become actively involved in engaging their fanbase, via the use of social networking.

The folks over at CNET, a major technology publication, ran a piece last week about how labels feel about their artists' embracing the use of sites like Facebook and Twitter. While they encourage it, some recording artists still refuse to take advantage, or jump on the bandwagon, which baffles execs.

"I was shocked to find out how many twenty-somethings aren't interested in social networking," Cameo Carlson, Universal Motown Republic Group executive, told CNET.

Carlson said many of their artists rather let their music connect with fans, rather than selling themselves, digitally. But, she says in the age of computers and the advances in technology, acts must connect with their fans to compete.

For some time now, signing to a record label isn't the last step in becoming a star. Artists, these days, have to put in their own leg work before a label even gives them a release date. The days of signing to a label, and letting them do all the marketing and promoting are long gone.

Daniel Glass, who founded and runs the indie label Glassnote, said that most of his acts get the importance of social networking, but some have a hard time accepting it.

"We need acts to be involved," Glass said. "When promoting a band, touring is still most important, but after that comes social networking."

Many artists are on Twitter and Facebook today, giving fans an inside look into their everyday lives every step of the way.

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