Thursday, January 28, 2010

Cynical Forethought: I Hope all this Money Being Raised For Hait actually Helps The People



It doesn't seem like a day passes where you hear about some "celebrity" and/or entity raising half a billion dollars in 35 seconds for Haiti Relief. With Org after Org corralling your heartstrings into giving to the new red ribbon boutique cause of the moment, Haiti is in fact, the first cause to embrace the digital era (where donations were collected over multiple platforms) Forgive my cynicism, I am very glad that the spotlight has shone on the impoverished country. For Haiti has problems that go far beyond the earthquake in terms of civility, human rights, and ethics. But it would seem the tides have turned and through tragedy the world unites for a singular cause that couldn't be more well deserved or received. What troubles me is that when we look back on this cause 5 years from now....will we see the same demolished landmarks, shanti town, oppression, and poverty.

Its no doubt that the cause for Haiti is raising a lot of money....a lot of money that the people desperately need. My main concern is really, how much of this money is benefiting the people if any. This is not to discourage from giving, but rather question where the money is going and investigate the organizations you are sponsoring so that your donation can do what it was intended to do.....lift up a people who have been through the worst experience they have experienced in the past 200 years. Disaster capitalism is an economy all on its own and Haiti seems like the "Jersey Shore" raitings boost that the construct needed. I just hope that Hope for Haiti doesn't turn into the new stimulus plan for greedy fat cats and their board members hoping to subsidize their country club memberships.

Toni "Makes My Heart" Smile, But Can She Stage a Comeback!!!





Toni Braxton is to the 90's what Rihanna is to whatever the state of music is now (we don't have to think too hard about whose the better artist). However, when Toni set up shop at the Flamingo in Vegas for (lets keep it real) a paycheck , it signaled the end of an era. Rife with conjecture, Toni's label worries and bankruptcy was well publicized. As was her lawsuit with LeFace records which handed her (and other 90's recording artist) one of the worst contracts the industry has probably ever seen for such a burgeoning critical and commercial success.

Flying high on fumes from 1996's "Secrets" a classic to this day and 2000's "The Heat" (a criminally underrated offering), Toni has been absent for the better part of a decade. Well, that's if you don't count 2002's "More than a Woman" and 2005's "Libra" both ridiculously forgettable offering that didn't register on anybody's radar. Well flash forward to the Trey Songs incident and Toni finds herself in fresher creative waters with her criminally pushed back "Pulse" slated for a fourth quarter 2009 release and now having been pushed back at least twice this year, here's hoping that Toni can hold some of the momentum, especially after releasing snoozefests like "Yesterday" that sounds like it came from the bowels of ballad hell. "Make My Heart" aside from being rendered as a kick ass, sexy piece of key art, is a song after my own heart. I say that because years ago Snoop released a track that was never included on any of his albums featuring a female vocalist with this same beat. I have been searching for years for the MP3 of the song, so surprise surprise when I went blog hunting and discovered this blast of audible oxygen "Make My Heart" sampling the same beat.

What I have heard from "Pulse" sounds varied and mixed with the final tracklisting still being a mystery. Here's hoping that Toni and her team can get it together and move more in the uptempo direction and finally stick a release date so that we don't see Toni's latest project flatline.

Wednesday, January 27, 2010

Apple Unveils New Tech Monstrosity to Take Over the World: iPad (I liked iTablet better) - iTampon and iToiltetpaper to debut in third Quarter


"an iPod touch that big enough to fit in your lap"
you can pay me later for that tagline Apple.


SAN FRANCISCO – Apple Inc. will sell the newly unveiled tablet-style iPad starting at $499, a price tag far below the $1,000 that some analysts were expecting.

The iPad, which is larger in size but similar in design to Apple's popular iPhone, was billed by CEO Steve Jobs on Wednesday as "so much more intimate than a laptop and so much more capable than a smart phone."

Jobs, 54, a survivor of pancreatic cancer who got a liver transplant during a 5 1/2-month medical leave last year, looked thin as he introduced the highly anticipated gadget.

The iPad has a 9.7-inch touch screen, is a half-inch thick, weighs 1.5 pounds and comes with 16, 32 or 64 gigabytes of flash memory storage. The basic iPad models will cost $499, $599 and $699, depending on the storage size.

All models have Wi-Fi and Bluetooth connectivity built in. Jobs said the device has a battery that lasts 10 hours and can sit for a month on standby without needing a charge.

Apple will also sell a version with pay-as-you-go data plans from AT&T in the U.S. Two tiers of data plan will be available without contracts: $14.99 per month for 250 megabytes of data, or $29.99 for unlimited data usage.

Those 3G models will cost more — $629, $729 and $829, depending on the amount of memory. The Wi-Fi only version will be available worldwide in March, and the 3G version in April. International cellular data details have not yet been announced.

Get to know Rogiérs "Life and Music: All of It"


Rogiérs is a night whisperer. One of those raspy seducers who nuzzle your ear offering resonance-rich promises of sweeter tomorrows, if only you'd believe in him. Stories of previous money hungry loves who didn't believe enough, didn't love enough, didn't trust enough to fill the void...these are deliciously vulnerable first date pillow talks. If only he had somebody like you earlier, he'd be ahead of life's game. Now that he's met you, just wait and see how beautiful your life together will be, how good he'll be to you...yeah, baby.

Ego stroking words - tinged with hurt, angry remnants over yesterday's love-glides off his silver tongue with such smooth sincerity, such candor. Before you know it, half-torn drawers get left on damp floors, morning after breakfast buffets are scenting daylight infatuations followed by premature U-Hauls and the eventual relinquished paychecks without so much as a backwards glance. You know he can't deliver on every promise made, but he sounds sooo good whispering them in your ear, your throat, everywhere...that you don't care. At least, he's got game. At least he cares enough to want to make you feel this special, wanted, needed. Welcome to Rogiérs' debut album, Life and Music: All of It.

Generally, this kind of lover man boasts such a confident swagger that any red-eyed confessions like "Hollywood Story," is read as privileged insight into the wounded little boy being protected inside. On keepers like "Come Into My World" and "Come When You Call," Rogiérs (pronounced Ro-ghe-ay) is extending an open palm to you into his world, to protect and love that wounded boy too. You're special; you've been given an exclusive ticket into this realm of addictive pleasure and pain. And believe me when I say Rogiers' project is sensually addictive. The former Alicia Keys keyboardist follows an elusive musical brand made by such secretly seductive nice guys as Maxwell and Carl Thomas, the cool kat that always landed dime pieces on the low. Rogiérs catapulted into this rare league so adeptly, I can't help but shake the idea that his Life and Music is the sophomore album Thomas fans always wanted from Carl following that classic, haunting-and it appears never to be repeated-debut, Emotional.

Accordingly, Rogiérs freshman project is a welcome return to intimate music that envelopes and tempts you into a private realm of naughtiness justified by high brow "spiritual" intentions and mature discretion. His vulnerability begs your vulnerability, and with it a release of your inhibitions. He never actually asks for the drawers, uh uh. He asks for your love, your devotion, your honesty, your commitment which-as any lothario could tell you-leads to not just intimacy, but the best intimacy of your life. On an album that never deems to use base, overtly sexual language, Rogiérs conjures an album that is Junior's cheesecake rich with sexuality.

Musically this penetrating gaze is achieved with a breathy second tenor that avoids the high-pitched, electronic cold showers passing for masculine vulnerability among contemporary R&B tenors. Rogiérs' instrument has the inviting resonance of the previously mentioned Mr. Thomas combined with the gospel flexibility of J Moss. With fine producer contributions by Dré Bowman, Big Tone, Rogiérs' music is high on mood and space atmospherics: electronic winds, synth organs, light key work, bell trees chime, head-bobbing drum samples, reverb enriched backgrounds that sound as breezy as the wind effects. The phrasing is church, as is Rogiérs talent for runs, a melismic heavy technique that does on occasion slip out of song punctuation to just plain showing off, like on the spare interlude "Dust." But then don't the "gifted" lover boys always eventually over play there hand? Smartly, on the throaty, straight forward piano ballad "You'll Live," the showiness is kept to Rogiérs own impressive ivories work.

The project does have clear dance moments, but - urban contemporary synths and blaring horns aside - songs like "Home," featuring Joseph Webb, are not hip hop enough to be inner city club bangers and are too mid-tempo to be hard core house cuts. On the other hand, bonafide dance floor jams like "Please Believe Me" will get heavy rotation by any DJs worth their Technics. The feel and rhyme structure Rogiérs favors on these tunes will draw strong Peter Hadar comparisons, particularly on the bouncy first single "Life and Music" featuring Big Tone and house cuts like "My Gift (Applejac Remix)." Following "Life and Music," there are at least two other very commercial radio ditties, "Fa Sho" and "Feel It Now," that read as the missed A&R opportunities Ruben Studdard needed to avert his recent door prize by J Records. Come to think of it, Dave Hollister might want to cover these cuts if he's even slightly interested in reviving his R&B career. As this name dropping should indicate, Rogiérs' music is a gospel-reared, soul man's music.

True to type, Rogiérs repeats his loverman rap a couple of times too many by offering his lovers remixes or alternative versions of at least two tracks, "Hollywood Story" and "My Gift." Interestingly, the alternative and remixed versions of both cuts were better than the originals thanks to a seamless pairing with Bilal on "Hollywood Story" and that fun Applejac Remix. He also has too many interludes, too many explanations of who he is and what he's really about as if his game wasn't enough to sway you, all distractions that interrupt the romantic fantasy for two. Of course, as time progresses, you don't mind him being a repeater or his protestations of realness. By the end of Life and Music, you know his game by heart, his empty promises all revealed. But damn, if you don't keep letting him talk his way past your door. Well? What you got to say for yourself? I know, I know. If only, those night whispers didn't sound sooo good. Highly recommended.

--L. Michael Gipson

Give Yourself the Lil' Kim Makeover



I was on the floor with this one....LMFAO

Friday, January 22, 2010

A Little Positivity Goes a Long Way: Haitian Woman Rescued After 6 Days under Rubble


As the death toll continues to mount in Haiti following last week’s devastating January 7.0 magnitude earthquake, there are still a few hopeful stories unfolding. This week a few survivors have been pulled from the rubble alive, click below to watch the story of one woman who emerged nearly unscathed after being buried under a building for six days.



It’s heartwarming stories like these that help encourage rescue workers to keep digging, despite all the horrors they’ve uncovered so far.

Thursday, January 21, 2010

Does Anyone Else Have a Problem With Wycleff Being Spokesperson for All of Haiti


So did you know that Wycleff was Haitian. Well that seems to be the only qualification, well that and he is probably the only recognizable Haitian star in America, for him speaking for an entire nation of people. Wycleff probably means well, but what really bothers me about his involvement is his suggestion that Haiti needs to be evacuated......you know...just disapropriate about 2 million people to god knows where exactly and put him in charge of the airports. You know, because the Haitian people will listen to him and if he says go, they will go. Its very strange to me that when we are speaking of specific demographics of the world who are hit by tragedy, the logic leads some nutsack to rise up and suggest relocating everyone. Which then leads to the corporatization of the land and the development of beachside resorts and developments that squeeze the locals out. Given the history of Haiti, this has to be the logic. But truthfully, when you are doing everything to help...logic also dictates that you don't go on Oprah to state your case......especially with so much media blitz already.

Wycleff, with your foundation undergoing investigation for misappropriating funds and your Tila Tequila -esque enthusiasm for being on camera...I mean spreading the word to the masses, I'm going to have to see you get down and dirty in the trenches a la Anderson Cooper Rescuing a Haitian boy from street mobsters in order to buy your sincerity.

Haiti at at Glance: History and the Tales of Failed Relief Efforts (Its beginning to sound a lot like Hurricane Katrina)



I found this story and interview to be not only absolutely fascinating.....but educational...they don't teach this in grade school. Please check out the article and click on the link below to get your history on and compare what you are being told vs. what is really going on.

From Davey D's Hip Hop Corner

find this story about America and France to be bickering interesting on a number of levels. Both countries have long and sordid histories with the island nation.First, we have this situation of France being responsible for enslaved Africans being brought over to Haiti and that population turning around and defeating the French and winning their physical liberation. The problem was the newly freed Haiti were forced to pay their former slave owners reparations or risk future aggressions. America under Thomas Jefferson saw Haiti as a threat and feared that her succesful revolution would lead to enslaved Blacks in the US also revolting. His solution was to isolate the country and prevent freed Blacks from the US going to the island. All this led to massive poverty which has continued to this day. We’re including a link to an interview with long time Haitian activist Pierre LaBossier of the Haitian Action Commitee where he explains all this..

Intv w/ Pierre LaBossier about Haiti & Foreign Relations


France and America Bicker as Haiti aid fails to reach City

The international effort to deliver humanitarian aid to the victims of last week’s Port-au-Prince earthquake was hit by bickering today as a French government minister accused the Americans of trying to occupy Haiti instead of helping it.

Thousands of American soldiers have poured in to Port-au-Prince airport since President Obama announced that he was ordering a “swift and aggressive” campaign to help millions of Haitians left homeless by last week’s 7.0 magnitude earthquake.

Six days after the quake, however, precious little aid is getting beyond the airport perimeters – largely because of security concerns – and aid agencies with long experience of operating in disaster zones have complained that their flights in are being blocked unnecessarily.

Among the aircraft turned back by American air traffic controllers who have assumed control at Port-au-Prince airport was a French government Airbus carrying a field hospital.

The plane was able to land the following day but the decision to turn it back prompted an official complaint from Alain Joyandet, the French Minister for Co-operation who is overseeing the French aid effort.

Speaking to Europe 1 radio from an EU ministerial meeting in Brussels this morning, Mr Joyandet said that the UN would have to clarify the role of the US in the Haitian aid effort. “It’s a matter of helping Haiti, not occupying Haiti,” he said.

Mr Joyandet’s sniping is likely to anger the White House although the Foreign Minister, Bernard Kouchner, warned both governments and aid groups not to squabble as they try to get their aid into Haiti.

“People always want it to be their plane … that lands,” Mr Kouchner said. “What is important is the fate of the Haitians.”

Before becoming a politician Mr Kouchner made his name as humanitarian pioneer, founding the doctors’ charity Medecins sans Frontieres (MSF) in 1971.

MSF is among the aid agencies directly affected by the logjam at Port-au-Prince airport. Its operations manager in Port-au-Prince, Benoit Leduc, complained today that five MSF flights have been turned back so far, three of them carrying cargo and two medical staff.

“We clearly had about 48 hours extra delay because of this access problem,” he told journalists in a conference call.

One of the MSF flights turned back on Saturday was carrying a large inflatable hospital of a type that MSF have used in various disaster zones since the Kashmir earthquake four years ago. The flight was diverted to the neighbouring Santa Domingo and the hospital and ther medical supplies are having to be brought in overland.

Six days after the devastating tremor that flattened much of the city and killed an estimated 200,000 people, 280 emergency centres were finally due to be set up, starting from today, to provide shelter and to distribute the enormous stockpiles of donated water and food that have been building up at Haiti’s airport.

The centres are due to be run and the supplies handed out by the United Nation’s World Food Programme. Each will have the capacity for around 500 people, and will be situated in public building like schools and churches in Port au Prince and six nearby towns.

Haitians complain that their Government has been silent – President Preval is himself camped out at the airport and has yet to address his people – and that aid distribution has been either totally absent or at best haphazard. They say that injured and vulnerable people are dying without shelter in the oppressive heat for lack of water.

Ordinary water supplies are polluted and broken, and bottled water is selling for $6 a bottle on the black market in the streets. On the rare occasion that a water truck appears on the streets, it is mobbed.

Even the most visible camp for homeless people – the sprawl of cardboard and blanket shelters in the Champs de Mars public park next to the ruined presidential palace – has not a single fixed water supply, aid distribution point or clinic to assess the needs of the wounded.

The UN says that yesterday it managed to feed 40,000 people and that it hopes to increase that to 1 million people a day within two weeks, and 2 million in a month.

“By the end of Monday, we will have distributed more than 200,000 food rations in and around Port-au-Prince,” the UN World Food Programme announced in a statement. It said that it was establishing food kitchens to feed the hungry.

But a community organiser at one makeshift camp for 10,000 people in Challe spoke angrily of UN blue berets arriving yesterday without warning and flinging small packets of biscuits from the back of their truck – the first aid workers they had seen and the first food most had eaten in days – but failing to bring the water and medical supplies that are most urgently needed.

“We have been waiting since Tuesday and that is all there is!” agreed Vanel Louis-Paul, a father of three, brandishing an empty biscuit packet.

At the airport, many soldiers from the 82nd Airborne Division have been hanging around since Wednesday night without leaving the complex.

One of them, Private First Class Patrick Jones, told The Times that only a few supplies of food and water had arrived. ”We don’t want to go out and distribute anything until we are sure we have enough for everyone,” he said. “We don’t want to give to some and not to others.”

The delays are causing anger and frustration, and leading to unrest and violence. Witnesses report large-scale, organised looting by groups of youths armed with knives in the tight grid of streets next to the Champs de Mars homeless camp, stripping the last remaining supplies from the empty city.

The gangs welcome the presence of reporters as protection from police. There are unconfirmed reports of police asking journalists to leave, and then firing live rounds to maim or kill the looters. A New York Times reported seeing four alleged looters dumped by police at the national cemetery, three dead and one dying from gunshot wounds.

Mobs of Haitians are also reported to taking the law into their own hands, with at least one confirmed case of a looter lynched to death.

Dorsainvil Robenson, a policeman chasing down looters in the capital, said: “We do not have the capacity to fix this situation. Haiti needs help … the Americans are welcome here, but where are they? We need them here on the street with us.”

Tuesday, January 19, 2010

Monday, January 18, 2010

The Dream Still Prospers: Happy MLK Day





I was thinking this morning how much it sucks to have to go to work on MLK day, but at least traffic was good and I have a job to go to - so I consider that all a blessing. As well, I consider myself sort of the embodiment of said dream so its a real honor and privilege to represent that on this Monday. Civility applies to everyone so in that, remember that we all have dreams and if you work towards them...they shall be fulfilled.

Friday, January 15, 2010

Breaking News: VH1 Bus Crash Causes Major Spill in Cali


VH1 Reality Show Bus Crashes In California Causing Major Slut Spill

Friday Finds: Tha Boogie (J*Davey Has Some Competition)





Tha Boogie is a group I learned about 5 minutes ago and I already am in love with them. This is the alternative R&B group helmed by Mr. Progressive R&B himself, Raphael Saadiq and the results I must say are very impressive. I really like that some R&B acts/groups get that in order to be viable and relevant, they have to do something creative with the music. I don't have to mention the obvious musical comparison group since I did in the title, but Tha Boogie is sure to give J Davey a run for thier money. All for supporting creative cats who bring something new to the table. Check their release, "Love Tha Boogie (Steal This Sh*t)" on Itunes now!!

Wednesday, January 13, 2010

Can David Simon Keep us Wired with "Treme"


It’s been a while since The Wire ended its brilliant, five-season exploration of the post-industrial American city, a little less since Generation Kill took a crack at Iraq, and now, sources report that David Simon got the go ahead to shoot his pilot for Treme, a proposed HBO series that will look at New Orleans in the aftermath of Katrina, through the lives of musicians affected. When news broke earlier last year, I was thinking we’d get a North American version of the Buena Vista Social Club, but, Simon (of course) promises something much more complex: “It’s basically a post-Katrina history of the city. It will be rooted in events that everybody knows. What it’s not going to be is a happy stroll through David Simon’s record collection. It should not be a tourism slide show. If we do it right, it [will be] about why New Orleans matters,” Simon tells EW. After five years of showing us how Baltimore mattered, do we really expect anything less?

Details are sketchy but promising, and it looks like a bunch of the old Wire vets will be back for a second round. New Orleans-native Wendell “Bunk” Pierce will play Antoine Batiste, a struggling trombonist in the city (echoes of Buddy Bolden?); Clarke Peters (Freamon) will play the leader of a Mardis Gras Indian tribe “trying to get members of his tribe back home”; and a surprising cast member, Steve Zahn (of Reality Bites fame) looks like he’ll be the new Prez, playing a “dancer, DJ and band member with anger management issues.” Here’s hoping that Nola’s finest, Jay Electronica, might pull a Method Man, and land a role.

Can David Simon create lightening in a bottle again?? We will see when Treme makes its debut on HBO in April

Tuesday, January 12, 2010

Daybreakers is Long in the Tooth


Now would be a really good time to bring back "Blade" and I only mention that cause "Blade" like "Daybreakers" revels in neo-noir vampire mythos with childish glee while providing a refreshing spin on the genre that distinguishes it from the factory. "Blade 2" took the mythos to new levels with the introduction of "Reapers" (biologically altered vampires who began to feed on vampires as well as humans). The dicotomy here was a world in which humans were not at the top of the food chain necessarily. The same concept is applied to "Daybreakers" in a brilliant premise that re-imagines the world as run by vampires. But there is only one problem, the food supply is running thin and humans are becoming extinct as the last have been farmed by a corporation run by Sam Niel for blood. Those humans that have not been farmed are on the run in exile as the vampires work on a synthetic cure for their bloodlust. Enter Ethan Hawke as "Edward Dalton" a vampire researcher for the corporation that farms blood who has a certain affinity towards humans.

The catch in "Daybreakers" is that once the vampires go starved, they turn into these hyper aggressive bat like creatures that also feed on vampires. With "Edward" being the most human character in the story as he goes on to help save the human race. Blah blah blah.....if you are a huge fan of the genre like myself then the first and second acts of "Daybreakers" will not disappoint as most if not all of the details about how a world run by vampires operates are fascinating; the subwalk for daytime commuting, the cars equipped with shields and cameras to allow for day driving. However, the premise of the movie is soo good that the movie itself has little faith in how to execute the more specific elements of the plot. The "change" these vampires experience from being starved is never fully investigated which is a shame because this would have proposed another level to the story that would have added some much needed claustrophobic tension to the plot. As well, the whole process for discovering a "cure" for the vampires is so rushed amongst the mindless action that it hardly holds any weight.

Make no doubt, "Daybreakers" is B movie fare with the highest level of affection, but its third act spirals so fast and so far out of control that its hard to forgive it in evaluating the overall experience. Many will leave the theater on a high from the premise alone. And I'm sure that there are sequels and/or prequels in the works. However, I would really love someone to remake "Daybreakers" altogether and explore the more interesting themes of the story that get sorely overlooked. While watching it, I thought of David Fincher or even the Wachowski Brothers, or Timur Bekmambetov who directed the phenomenal Russian vampire epic "Nightwatch". Ohh well, one day genre fans will get the high-brow, high-concept vampire saga we deserve. Until then, there is always "Blade".

Serendipity for Soul Music Lovers: The Brilliance of Peven Everett


Peven grew up listening to Gospel, Jazz, Soul, and African rhythms, which greatly shaped his musical style. Peven Everett, was born and raised in Harvey, IL and has three siblings. Peven’s career began at the age of 3. He remembers playing the bongos and using a phone book to reach the piano keys in order to play. The first song he ever played on drums was “Mister Magic” by Grover Washington Jr. when he was 4. Peven comes from a very musical family - all singers.

By the time he was 10, he learned to play drums, guitar, bass, flute, piano, trombone, and trumpet. Thanks to an ex-vet turned music teacher in middle-school, John Weber, Peven got the chance to develop his talent. At 17, he moved to New York where he got his first job at Carnegie Hall. Betty Carter recognized his talent and for the next 4 years she continued to work with him. He then went on to perform on thee road with the likes of Wynton and Branford Marsalis (Buckshot LeFonque) in the mid 90s. In 1996, left New York for his hometown. Since then, he has been working on music non-stop.

His catalog includes the now classic house songs “Gabrielle” and “Watch them Come” which helped usher in the UK Garage movement. He writes, creates, produces, and arranges all his music - something not too many artists can claim. He cites Sidney Poitier, Miles Davis, Michael Jordan, and John Lennon as some of his inspirations and influences.

Peven’s debut album release, “Studio Confessions”is an intimate look at his life and the issues within life and life in the industry. His sound is best described as organic, melodic, and of course, full of soul - a fusion of African and Latin rhythms, hip hop, funk, and a touch of jazz
Everett is constantly making new music to spread truth and love to the masses. He has far more titles that the mainstream simply can’t keep up with. He sells all of his new work at Http://peven everett.tradebit.com He has 18 titles available there with much more to come.
For a commercial list of his releases, refer to Peven Everett on discogs.com


I was first acquainted with Peven Everett when I was browsing the Amazon "suggestions" section and came across his album "Studio Confessions" some time ago. That album was a nice change of pace from the status quo, but it wasn't until recently that I explored his 2006 offering "Power Soul" and man, this album is a real game changer. The good thing about good music is that its timeless and Everett here creates a 12 track gem that I will not go into too much detail about as to have you experience your own ethereal experience with his music.

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